Moving Toward Wholeness

A couple of weeks ago I started telling a story, How I Got My Wings. I later posted Part 2 and Part 3. This story, which begins when I found a dead cardinal in November 2020, isn't finished yet, but the part I felt most hesitant to share beyond a select group of people is out in the world now. A friend who has encouraged me to share the story has also been lovingly teasing me, "Now when people see dead birds, they're going to think of you" or "Now when people think of you, they're going to think, 'Oh, yeah, that's the dead bird lady!'" Both thoughts make me giggle.

Since I put the story out there, two people have told me their dead bird stories, and one of those also talked about putting a dead bird in the freezer. She told me that revealing that in a particular group of people led to multiple other backyard-bird-in-the-freezer stories.

I am reading Robin Wall Kimmerer's Braiding Sweetgrass and one of the many things I appreciate is how she weaves together the stories that come from her Potawatomi Nation heritage and the stories that come from her scientific training. Some might say these ways of knowing are in conflict with each other because the first way is made up of “stories” and the second of “facts,” not to be confused with one another. Kimmerer shows how each perspective, as well her perspectives as a mother and professor, can support one another, how an embodied and connected relationship with Creation balances the "neutral" or "objective" disconnected lens that science aims for (even though none of us can actually be neutral or objective).

As I write, I am wondering if we can recognize that science is simply a form of story-telling told from a particular worldview and that its facts are not necessarily the full, or even actual, picture of reality. I am not denying its value, but questioning the strong dominant cultural bias toward it (though in recent years, that's been less true). I wonder how much valuing scientific story-telling and disregarding or devaluing other interpretations, other stories of our interbeing, has limited for too long the potential of our understanding.

Like Kimmerer moves between indigenous and scientific understandings, over the last several years I've been wading into waters that some may believe are in conflict with one another. I am active in a Catholic church community (which I joyfully share with some of you who are reading). I have worked in Catholic schools and with Christian organizations. I hope to continue to do so.

I am also certified in and practice Reiki. I have been learning about and using intuitive gifts that I discovered because of Reiki; that's how Heart Portraits were born. More recently I have been studying shamanic practices. For me these practices outside of the Christian realm expand, deepen, and enrich my understanding of and beyond my mother tradition of Catholicism. They help me to imagine with greater creativity and imagination what loving God and loving neighbor mean, and who the word "neighbor" includes.

Studying the mystics, Christian and otherwise, bring a similar sense of wonder, expansion, and creativity. All of these explorations open me to the Mystery that lives in our interconnection. All of these explorations help me discover pieces of myself, bringing me closer to wholeness, bringing our world closer to wholeness because I am a part of the world.

Telling the story of how I got my wings is one step in claiming who I am, both as an individual and as a thread woven into the tapestry of interconnection. As I weave closer to other threads of Creation, we tighten the weave. We strengthen the tapestry. We move toward wholeness.

I suspect there will be people who read my dead cardinal story who will form negative judgments. I recently told a friend the story and she listened with furrowed brows and squinting eyes. It was uncomfortable. But if I am to honor who I am now and allow myself to continue becoming, I must be willing to face discomfort, my own and others', even when it means facing the skepticism or lack of understanding from a loved one. Being in the discomfort is a practice.

Self-acceptance is a practice. The more embodied the practice, the easier it is to practice accepting others. Moving toward wholeness is a practice. Will you join me?

If you'd like to explore these themes further, I invite you into these questions:

Have you ever been afraid to reveal a part of yourself to another? Did you choose to hide or to reveal? How was it to do so?

Do you feel like there are parts of you that feel aligned and in harmony that others might think are in contradiction?

How have you or would you like to move toward a greater sense of wholeness?

I'd love to know your answers, to offer witness to who you are. Please feel free to share.

How I Got My Wings, Part 3: Ceremony

Read How I Got My Wings, Part 1: Dead Cardinal here.

Read How I Got My Wings, Part 2: Second Encounter here.


On January 29, 2021, I took the dead cardinal wrapped in the dishtowel and plastic bag out of my freezer. It was afternoon and the impulse to do something with the body came suddenly and strongly.

I gently unwrapped it and began the work. Standing at my kitchen counter, I started plucking out breast feathers, feeling both certain and uncertain at once. Thankfully, Knowing helped me to overcome all the messages that have kept me in unknowing for so long. There is still so much unknowing to shed.

Soon after I started the process, I stopped. What I was doing was sacred work and deserved to be treated as such. This was ceremony.

Robin Wall Kimmerer wrote, “Ceremonies transcend the boundaries of the individual and resonate beyond the human realm. These acts of reverence are powerfully pragmatic. These are ceremonies that magnify life.”

I lit sage and palo santo, blessed the body, blessed myself, and allowed myself to feel the heaviness of what I was doing. I shed tears, perhaps as much to commemorate the life no longer in this body as to commemorate the beauty of the moment of reverence I was living in.

After the blessing I resumed the work. I pulled as many soft, downy breast and back feathers out as would come easily and paused. What now?

I broke the wings off, tears still rolling.

I broke off a leg.

The unknowing asked as it had the previous week, “What are you doing?!?”

Knowing answered, “What needs to be done.”

After removing these parts, it was clear that I was finished with this part of the ceremony. I placed the feathers and leg in a bag, the wings carefully on top. I still didn’t know what to do with them, only that I was to keep them.

I asked Spirit/God/the Universe (these feel like different names for the same Oneness of which we are a part) what I should do with the body. It didn’t feel right to simply throw it away. The answer was to put it in my yard, not buried, but simply placed on the snowy ground, trusting that Nature would finish the ceremony in my absence.

The next day I went back out and something had begun to eat the body. By the third day there was no sign of it.

Life circling death circling life.

How I Got My Wings, Part 2: Second Encounter

Read How I Got My Wings, Part 1: Dead Cardinal here.


It was January 22, 2021 and I was walking with a neighbor. We chose a route that took us down Frankfort Avenue. I hadn’t walked that way since November. As we strolled along chatting, we came upon a dead cardinal. Though not in the middle of the sidewalk, it was in dirt to the side of where I had seen the body two months before. On that January day I couldn’t remember exactly when I’d seen the first dead cardinal, but I knew I’d taken a picture. When I found the photo, I discovered that I had taken it almost exactly 2 months before. Two whole months.

When I told my neighbor of the first dead avian encounter, she asked if this was the same bird. I had no idea, but I really hoped so, because if it wasn’t, that meant that more than one cardinal had died in that spot recently.

By the time we went on the walk, I had the awareness that birds were going to be working with me in 2021 (incidentally, I believe my relationship with birds will continue beyond this year). I had bought the feather-pattern leggings to commemorate the connection.

Seeing the cardinal, I knew I couldn’t just leave it there. Like the first time, I had nothing with which to pick it up, but I resolved to go back and get it. Why? I didn’t know, but it felt important. Crucial. That bird was there for me.

As I write that, I am imagining some who may read this and think, “The bird was for you? What? The dead bird? That had been lying there for 2 months? Really? Who are you? Also, that’s gross.”

The same doubts and hesitations reared up in me, too. Thankfully, I have had many experiences of being called to actions that may seem bizarre or unwise by conventional standards that have led me down beautiful paths and unexpected adventures. I knew to trust the quiet voice instead of the screaming ones.

My neighbor and I finished our walk. I went into my home long enough to get my car keys and a dishtowel, and drove back to where the dead cardinal lay.

Ever so gently I picked the body up in the dishtowel and placed it carefully on the passenger car seat. When I picked it up, I saw that the body seemed to be intact except for missing eyes. How was it in such good condition after so long? I had no idea.

I drove home and once there, I had a dilemma. I still had no idea what I was supposed to do with the cardinal body. I think that day I pulled a few tail feathers from it. But then what? I knew I wasn’t supposed to throw the body away. I knew I couldn’t just leave it on my countertop until I knew what to do.

I wrapped the cloth all the way around the body, placed the cloth in a plastic bag, tied that shut, and put it in my freezer.

Though at my core I knew I was doing what I needed to, the inner critic voices were loud. “This is nuts. What in the world are you doing? You just put a dead bird in your freezer. What will other people think? You’re vegetarian, for God’s sake!”

A week later I knew what to do.


Read How I Got My Wings, Part 3: Ceremony here.